electro-acoustic / concert
vagues / fenetres for string trio and electronic sounds, premièred at the Manca Festival 18 November 2009, and performed by the Berkeley New Music Project in Berkeley, Hertz Hall 17 December 2009.
Fractured Marble fixed media audio, 7’30â€, released on Jonathan Harvey’s Other Presences CD, SCD28057, 2008
A Bach Concert for flute, viola, cello and reader, 4’00, a setting of a poem by Bei Dao, premiered 14 Feb 2008 by the Apollo Chamber Players at the British Museum, commissioned by Poems on the Underground.
Submarine Revisited fixed media audio, 15’09â€. Unknown Public/BMIC Critical Notice web project, 2007. Featuring Loré Lixemberg (soprano) Dominic Saunders (piano) and interviews from a number of ex-naval officers.
Rendition II II for prepared piano, three flutes, two trumpets and video. Featuring Myra Melford on piano. 16th November, 2006, Hertz Hall, University of California, Berkeley.
Isle electronic, 7' 2003. Performed at Choreodrome, The Place, London. Remixed for Critical Notice/Unknown Public, CD UPCN01 2005.
Back Room electronic, re-mix and condensation of sound score for Shopworks, theatre-rites 2003, featuring cello and spoken word, released on CD by Unknown Public 16 Childhood 2005.
Submarine - radio edit for mezzo soprano, piano and tape, 22', 2002. Broadcast on Resonance 104.4fm, October 2002. Supported by a grant from the Ralph Vaughan Williams Trust.
London Cries for mezzo soprano, tenor, strings and tape, 12', 2002. Commissioned by Poems on the Underground, premiered by the Apollo Chamber Orchestra, City of London Festival, July 2002.
Nunca Olvida for solo voice, 5', 2000. Premiered by Linda Hirst , London, November 2000.
Search for string septet and tape, 5', 1997. Commissioned by the Gogmagogs with funds from the Arts Council of England, premièred in the City of London Festival, 1997. Released on Sargasso CD 28026.
Frantic Mid-Atlantic for solo tape, 13'53, 1995. Commissioned by Hearing is Believing, Radio broadcasts in Britain and Canada. Released on Sargasso CD 28026.
Those Roads for solo tape, 9'07, 1994. Commissioned by the Sonic Arts Network with funds from the London Arts Board as part of a sound and image collaboration. (See music for film.) Released on Sargasso CD 28026.
Ding for solo tape, 1', 1994. Unknown Public 05 Voicebox
Close for two harpsichords and tape, 8'30, 1994. Commissioned by Annelie de Mann. Premiered in Amsterdam, 1996.
Source of Uncertainty (Model 266) for solo tape, 8'00, 1993. Premiered in Aberdeen, 1994. Finalist in 1993 Prix Noroit, short-listed for 1994 Luigi Russolo. Supported by a grant from the Ralph Vaughan Williams Trust. Released on Sargasso CD 28026.
Deuce for flute, harpsichord and tape, 10', 1993. Commissioned by Eleanor Dawson with funds from the Arts Council of Great Britain. Premiered in Belfast, 1993. Broadcast on Radio Nederlands, 1994. Released on Sargasso CD 28026.
Krazy Horse for solo tape, 1'42, 1992, released on Sound Works Exchange CD 01, 1995; BBC Radio 3 broadcast, 'Mixing It', 1995.
Plus ça change for violin, marimba and tape, 14'00, 1991, revised 1997. Premiered by Marimolin at the Purcell Room, London,1991. Broadcast on Swedish radio, 1991. Released on Sargasso CD 28026.
Brasserie for brass trio and tape, 4', 1992, performed in Dartington 1992, Lucerne, 1997.
Selected scores are available for purchase from the British Music Information Centre
vagues / fenetres for string trio and electronic sounds, premièred at the Manca Festival 18 November 2009, and performed by the Berkeley New Music Project in Berkeley, Hertz Hall 17 December 2009.
Fractured Marble fixed media audio, 7’30â€, released on Jonathan Harvey’s Other Presences CD, SCD28057, 2008
A Bach Concert for flute, viola, cello and reader, 4’00, a setting of a poem by Bei Dao, premiered 14 Feb 2008 by the Apollo Chamber Players at the British Museum, commissioned by Poems on the Underground.
Submarine Revisited fixed media audio, 15’09â€. Unknown Public/BMIC Critical Notice web project, 2007. Featuring Loré Lixemberg (soprano) Dominic Saunders (piano) and interviews from a number of ex-naval officers.
Rendition II II for prepared piano, three flutes, two trumpets and video. Featuring Myra Melford on piano. 16th November, 2006, Hertz Hall, University of California, Berkeley.
Isle electronic, 7' 2003. Performed at Choreodrome, The Place, London. Remixed for Critical Notice/Unknown Public, CD UPCN01 2005.
Back Room electronic, re-mix and condensation of sound score for Shopworks, theatre-rites 2003, featuring cello and spoken word, released on CD by Unknown Public 16 Childhood 2005.
Submarine - radio edit for mezzo soprano, piano and tape, 22', 2002. Broadcast on Resonance 104.4fm, October 2002. Supported by a grant from the Ralph Vaughan Williams Trust.
London Cries for mezzo soprano, tenor, strings and tape, 12', 2002. Commissioned by Poems on the Underground, premiered by the Apollo Chamber Orchestra, City of London Festival, July 2002.
Nunca Olvida for solo voice, 5', 2000. Premiered by Linda Hirst , London, November 2000.
Search for string septet and tape, 5', 1997. Commissioned by the Gogmagogs with funds from the Arts Council of England, premièred in the City of London Festival, 1997. Released on Sargasso CD 28026.
Frantic Mid-Atlantic for solo tape, 13'53, 1995. Commissioned by Hearing is Believing, Radio broadcasts in Britain and Canada. Released on Sargasso CD 28026.
Those Roads for solo tape, 9'07, 1994. Commissioned by the Sonic Arts Network with funds from the London Arts Board as part of a sound and image collaboration. (See music for film.) Released on Sargasso CD 28026.
Ding for solo tape, 1', 1994. Unknown Public 05 Voicebox
Close for two harpsichords and tape, 8'30, 1994. Commissioned by Annelie de Mann. Premiered in Amsterdam, 1996.
Source of Uncertainty (Model 266) for solo tape, 8'00, 1993. Premiered in Aberdeen, 1994. Finalist in 1993 Prix Noroit, short-listed for 1994 Luigi Russolo. Supported by a grant from the Ralph Vaughan Williams Trust. Released on Sargasso CD 28026.
Deuce for flute, harpsichord and tape, 10', 1993. Commissioned by Eleanor Dawson with funds from the Arts Council of Great Britain. Premiered in Belfast, 1993. Broadcast on Radio Nederlands, 1994. Released on Sargasso CD 28026.
Krazy Horse for solo tape, 1'42, 1992, released on Sound Works Exchange CD 01, 1995; BBC Radio 3 broadcast, 'Mixing It', 1995.
Plus ça change for violin, marimba and tape, 14'00, 1991, revised 1997. Premiered by Marimolin at the Purcell Room, London,1991. Broadcast on Swedish radio, 1991. Released on Sargasso CD 28026.
Brasserie for brass trio and tape, 4', 1992, performed in Dartington 1992, Lucerne, 1997.
Selected scores are available for purchase from the British Music Information Centre
